
From Hillary Clinton to Michelle Obama, we’ve grown accustomed to seeing American First Ladies pose for US Vogue. No French President spouse however has ever graced the cover of the Paris edition of the magazine, while her husband held the job. Could Valérie Trierweiler, President-elect François Hollande’s partner, be the first to do so?
The First Lady/Partner/Girlfriend status in France is a grey area. The term doesn’t even exist in French, beyond the Première Dame translation coined from the American. Even though presidential spouses under the Fifth Republic have traditionally overseen charities and Elysée entertaining in a similar manner to their American counterparts, they don’t have any official standing à la East Wing. Nothing stops them from working, even though Trierweiler’s plan to keep her job as a journalist has already been questioned. Bernadette Chirac had an easier time with it, since she was a local elected official. Carla Bruni-Sarkozy released a single album while at the Elysée.
Until Nicolas Sarkozy’s election, French presidential spouses were women who, by their philosophy, age and fashion sense, didn’t often fit with the Vogue cover standards. Cécilia Attias could have been a strong contender, but she left too early, awarding her first interview and cover, post-divorce, to ELLE. Bruni-Sarkozy also bagged a few ELLE covers, mostly through stock pictures, and a Vanity Fair one. But no ParisVogue. ELLE France is perceived as a more intellectual, committed magazine than Vogue. Whether or not the offer was ever on the table, Bruni-Sarkozy was too aware of the luxury lifestyle raised against her husband to consider it.
The non-existant political stance of French Vogue could also explain its lack of First Lady coverdom. You couldn’t imagine Emmanuelle Alt, or Carine Roitfeld before her, fundraise for any candidate the way Anna Wintour did for Barack Obama. Whereas the American fashion industry has widely embraced the Democrat candidate, the French fashion industry is keeping mum on the subject, leaving fashion to fashion and politics to politics.
In The Obamas, a Mission, a Marriage, Jodi Kantor recounts White House staff worrying at how a Vogue cover, with its frivolity and luxury subtext, would be perceived by American Joe and Jane. Hollande campaigned on being a normal President, in contrast with Sarkozy’s perceived luxury lifestyle, and Trierweiler grounded him throughout her interviews with anecdotes of his shopping at the local supermarket. This doesn’t make her an ideal candidate for a Vogue cover. Yet her husband also campaigned on the importance of France factories and jobs and fashion represents a significant part of the country’s economy and heritage
So yes, Trierweiler should do a Vogue cover, but she should do it on her own terms. Just like Obama partly agreed to Vogue “because so few black women appeared on the covers of the major fashion magazines” (1) she should do it because we have been deprived of an ambitious career woman at the Elysee for a while, of a woman who succeeded because of her skills and craft and refused to live in the shadow of her husband. She should do it in her usual “trench-coat or blazer, simple shirt, ample trousers and small heels […] accessorized by a Gérard Darel handbag and a colorful silk scarf”, in high-street if she feels like it. Female role models are everywhere, if you can be bothered to look, but being on the cover of Vogue would make it that bit easier for girls everywhere to see, and to remember smarts can get you far.
(1) Kantor, Jodi The Obamas, a Mission, a Marriage (London, 2012) p.91
Posted at 5:50am and tagged with: france, politics, Vogue, Vogue Paris, Anna Wintour,.
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